Tuesday, October 22, 2019
#FreelancerFriday #7 - Yari Leon Suarez, Translator
#FreelancerFriday #7 - Yari Leon Suarez, Translator #FreelancerFriday #7 - Yari Leon Suarez, Translator Yari Leon Suarez offers translation services between English and Spanish. Yari has worked in a variety of genres ranging from technical translations to translating poetry and literary fiction. Yari is also a fan of Charles Bukowski, which is maybe the best quality any person could possibly have that makes you think ââ¬Å"I want to know more about this person.â⬠Enjoy!ââ¬âREEDSYWhatââ¬â¢s the biggest difference in moving from technical translation to literary translation?YARI LEON SUAREZ You work longer! *laughs* When you translate a creative piece, it takes longer because you have to work closely with the author, more than you would with a corporation. I find that with technical translation youââ¬â¢re working with terminology. It narrows things down, and when you have a question you can just go to a database. With literary translation it becomes more tricky - youââ¬â¢re working with an authorââ¬â¢s thoughts, feelings. I think for literary translation you need that communication.REEDSY Why is contact with the author important?YARI LEON SUAREZ I find that the key for literary translation is to connect with the writer as a writer. Iââ¬â¢ve translated for friends before, but I knew them as friends, not as writers. When I talk with them about the work, I need to talk about what they were trying to say, and focus as specifically on the piece of work as possible. We donââ¬â¢t talk that much about the process of getting there. Working with friends can be easier, but at the same time itââ¬â¢s not - I have to *forget* that theyââ¬â¢re my friends, and look at them as a professional - look at them as a writer, not the person I go for coffee with. Itââ¬â¢s tricky but the key is to focus on the piece of work and the writerââ¬â¢s voice. Thereââ¬â¢s a skill of talking with authors that came from technical translation because I have to ask companies about how they want something translated as well. It teaches you to be precise and how to know what questions to ask. You have to be focussed.REEDSY Is the focus on being accurate, on being good for the reader, on doing right by the author?YARI LEON SUAREZ Itââ¬â¢s about doing the best work possible for the author. As a translator youââ¬â¢re really not entitled to change anything for a piece of work. Itââ¬â¢s the editorââ¬â¢s job to advise the author on changes if thereââ¬â¢s something wrong. For the translator itââ¬â¢s more a communication *with* an author, trying to keep the authorââ¬â¢s voice as it is, but in a different language. When I started working with friends and I fell in love with a piece of work, it was hard - I had to stop myself adding to the work. To be a translator you have to be passionate about what youââ¬â¢re translating, but at the same time have a lot of respect for the work. You have to try to write *exactly* as the author wrote, but in a different language.REEDSY How do you practice that? Does reading help?YARI LEON SUAREZ Once, I grabbed a book I like and actually tried to translate a part. It was just a personal exercise, basically. I tried to translate pieces of ââ¬ËWomenââ¬â¢ by Charles Bukowski. Just as an exercise in how you would translate a book by an established author in an established market, to see how you would handle it. I just kept it to myself.Reading a lot is always going to help - it helps you understand structure. Understanding structure is important because when youââ¬â¢re translating a text you have to understand the form. At the same time I think that right now the most important thing is to be up to date on technology. With technology it makes it so much easier to be in communication with the author, and there are tools that make the work easier. You need the right tools for writing, and translating in particular.Thereââ¬â¢s specific software that helps you when youââ¬â¢re translating. Nowadays the world of translation is tied to a digital format. For technical tra nslation translators can use software to connect with other translators for feedback. Like Robert Faclo said, Evernote is also fantastic for translators. And itââ¬â¢s necessary, because it speeds up the process of translation.REEDSY Do you do a lot of research?YARI LEON SUAREZ Oh yes, you have to. As a translator you have to be a researcher. You canââ¬â¢t just be happy with your own translation, you need to share your work with other translators and keep communicating with other writers - itââ¬â¢s a collaborative process. Translators these days donââ¬â¢t just sit with a book and translate it into a new language - you have to have a wider knowledge about literature today, you could say, of how the publishing industry is working. You translate in an active, engaged way. Depending on the book youââ¬â¢re translating, you need to know the author, you need to know where this is coming from, you need to know whoââ¬â¢s going to be the reader of this translation to make a work thatââ¬â¢s accurate.REEDSY What do you need to know from authors, when youââ¬â¢re getting ready to work with them on a project?YARI LEON SUAREZ The first thing is to know the 'motiveââ¬â¢ of the novel, how you feel about it, if I can borrow it and read it of course! Later on I would ask the author why they want to share the novel with a different market, how they want it to impact the reader in a different language. Iââ¬â¢d ask what the author knows about Spanish, the Spanish market, if anything, if theyââ¬â¢re familiar with their new audience.REEDSY Whatââ¬â¢s are the first steps in the process for you?YARI LEON SUAREZ Iââ¬â¢ll read the manuscript and ask questions about the writing, the story, anything that comes up in it about the characters. Iââ¬â¢ll ask how you feel about the main character, how the secondary characters are influencing the story, that kind of thing. If I have any doubts, if thereââ¬â¢s something I donââ¬â¢t understand, Iââ¬â¢ll clear that up. Then Iââ¬â¢ll go through the translation work itself, and new questions will arise. In terms of the structure, for example, more specific questions about structure, about sentences where Iââ¬â¢m not quite sure about the tone or the intent, that only comes out when youââ¬â¢re doing the work.REEDSY Should authors work with Spanish editors as well, after theyââ¬â¢ve translated with you?YARI Iâ⬠¦ would recommend it. Itââ¬â¢s not my field. I can always try and I can suggest, but I wouldââ¬â¢t consider myself an editor.REEDSY When youââ¬â¢re translating poetry, how does that work? What are you keeping?YARI LEON SUAREZ To translate poetry youââ¬â¢re dealing with a different literary structure, depending on the type of poem. If itââ¬â¢s free-rhyming, thatââ¬â¢s one thing, but if thereââ¬â¢s a specific structure youââ¬â¢re facing a piece that will take longer. Thatââ¬â¢s in the sense that itââ¬â¢s not just the vocabulary you need to worry about, but also about the structure and the differences between languages. For example, English and Spanish are completely different languages in the way you structure sentences in them. A sentence in Spanish can be longer in a sentence than English, and that can break the structure of the poem. So I have to spend a lot of time just trying to do the work because I have to make sure the same amount of syllables of the original poem are in the translation.And then also, keep in mind that itââ¬â¢s not a literal translation but a poetic translation as well, so you have to use the right kind of language, with the right translation of the word, whi le keeping the tone of the author. Itââ¬â¢s a big, big challenge that requires a lot of work. With prose, you can follow a different structure and just keep in mind the genre of the work. Itââ¬â¢s still difficult, because translation has to be based on the work, itââ¬â¢s not your work.REEDSY Do you see any big differences between the English and Spanish markets?YARI LEON SUAREZ In the US, specifically, they seem to be getting more into dramaâ⬠¦ You know, Iââ¬â¢m thinking. Theyââ¬â¢re not too different. They both definitely prefer prose to poetry. The majority of authors are doing novels or a series of novels following the same character - like a saga, letââ¬â¢s say. In that sense, the markets are similar. In Spain they love the novel thatââ¬â¢s elaborate in a historical way. They love a novel that has historical research behind it, but is still dramatic, is not too much of a psychological novel. They follow a mystery plot, that kind of thing.The differences arenââ¬â¢t so big - weââ¬â¢re talking about literature that doesnââ¬â¢t require a lot of psychological analysis of the character, that isnââ¬â¢t a heavy topic - itââ¬â¢s easy reading, especially in the United States. ââ¬Å"A read that flows,â⬠basically; that doesnââ¬â¢t take a lot of time to understand, especially thatââ¬â¢s not metaphysical. In Latin America I think they like literature with secondary meanings hidden in the prose, but here in Spain and the United States itââ¬â¢s more about the flow of the prose.REEDSY Thanks for your time Yari.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment