'Realism in Sweat Essay\r'

'In Zora Neale Hurston’s pathetic story â€Å"Sweat” the reason uses rhythm and reiterate to shape her theme of pick and rootisation by simulating labored and conscious footsteps, cadenced pounding of sledgehammer hammers along a range of a function gang, and the loud beats of an aflutter and everywhere take a shited heart. This rhythm and repetition builds tension as Delia, the help, finds within herself the strength required to survive and tame the step with which she lives, and eventually moderate her abusive husband, Sykes, by allowing a snake’s venom to take over his blood stream, kill him.\r\nThe rhythm and repetition found in the short story â€Å"Sweat” simulate the echoes of someone repeating to herself the motivational intelligence services required to her survival. It is the actor’s use of rhythm and repetition that create expound characters, plausible events, and the comprehensive and complex detail of tired activi ties of every twenty-four hours spirit representative of realism in literature. In â€Å"Sweat,” Hurston tells the story of Delia, a middle-aged, black adult female who turn tails very hard washing garb for white people to support her cheating, unemployed husband, Sykes, who continually berates her during bouts of physical abuse.\r\nHurston uses accents in her rhythm to accurately and practical(prenominal)ally simulate the sounds and actions of a washer woman obstetrical delivery to livelihood the torturous and necessary daylight to day activities of Delia. According to Kennedy, readers â€Å"favor a stressed syllable with a little more breath and emphasis” (429), and the antecedent uses this technique to simulate in detail Delia’s mind and heart.\r\nTrue to the realism movement, Delia describes her life as, â€Å" motion and sweat, cry and sweat, pray and sweat” (233), as she whole do works to grow beyond the poverty of her past. In construe this, one can hear Delia’s feet heave and pound, drag and pound, drag and pound. The author’s wariness to detail allows the reader to hear and feel twain rhythm and repetition with these phrases consisting of three words, each word being one syllable, and each phrase close with, â€Å"and sweat. It is both the fact that Delia speaks to herself, as well as the words she uses, that inform the reader that Delia is pushing herself by the plausible life of a post cultivated War washer woman in hopes for something better, and at the same time fighting for her survival. With the words â€Å"work” and â€Å"pray” the reader learns that the story’s protagonist is fighting for survival, hoping for survival, and begging her God for the assistance necessary for her survival. Delia’s life is one of begrudging hard work necessary for survival.\r\nWhen reading Delia’s words to her self-centered husband, â€Å"Sweat, sweat, sweat” (23 3), the reader pictures the swinging sledgehammer of a southern slave sweating through life as he works endlessly in the heat of the sun. It is the rhythm of her words that allows the reader to ensure an enslaved man swing the hammer back, up and over his head, and then come crashing cut down as the business organisation end of the heavy tool connects with the rock at the very instant the reader hears Delia say, â€Å"Sweat. Despite the abolishment of thraldom, Delia’s life is one of servitude. Her master is Sykes. Her sledge hammer is â€Å"her knotty, muscled limbs, her harsh knuckly hands” (234). The reader feels the anxious dread of Delia as she works day in and day out at a hideous, scrupulous job in order to earn the bills necessary to feed herself and her husband, as she knows that the reality of her life is that she is the only person on whom she can await to prevent her from becoming homeless and/or end from starvation.\r\nOne begins to wonder how Del ia survives the torment and abuse she receives from her husband, only she does. Delia accepts the abuse, and it strengthens her. The reader can feel and hear the rhythmic, â€Å"duh DUM, duh DUM, duh DUM,” posture of Delia’s heart beat stronger and stronger in the author’s words, â€Å"Her tears, her sweat, her blood” (234). Her heart is tired. Her heart is overworked. Delia knows this. She feels this. She wants it to end. She works hard, and like other muscles, her heart gets stronger as it works.\r\nDelia continues to work her mind and body as endures the long, hard hours of work, as well as the physical and mental abuse of her husband. She will not succumb to the endless nuisance and suffering. The reader knows she is fighting in that she cries and works. One who is spill to give into difficulty does not continue to work. or else a person who wishes to give in lies down to die. Delia wants to survive. She fights for her survival everyday as she wo rks, bleeds, cries, prays, and sweats.\r\nIt is this drive to overcome that motivates Delia to continue existing in a cavity she hopes to someday escape. Hurston uses rhythm and repetition to create realistic details of the life of Delia as she shapes the theme of empowerment and survival in her short story â€Å"Sweat. ” The author describes in detail the back breaking day to day reality of a Post well-bred War woman as she strives with every snow leopard of her being to overcome the poverty of her past, and escape the bonds of slavery held by her husband.\r\n'